Une banlieue maudite, En zone interdite Une arme de flics Marqus par la haine, Les jeunes se dchanent On a rien perdre Les bagnoles crment, La zone est en flammes Et la folie gagne Les gamins rebels Brlent des poubelles Ce soir c’est la fte! Petit agit… Tous des Bruriers Petit Brurier… Tous des agits Viens voir comme il fait chaud, Les caisses font des tonneaux C’est le grand rodo Sous une tte cagoule, T’a perdu la boule Et le monde s’croule La cit des barjots, Quartier des agits Commando Brurier Tu avances masqu Dans le noir sans papier, Commando Brurier
“A 85’ brilliantly dreary female fronted number that owes more to dark mental recesses than to fiery punk. The tape continues on this path, teetering between UK anarcho, Deutsch Punk and primitive goth punk”
Belgrado – Brooklyn, The Acheron 23 Nov 2012 (by unARTigNYC)
Belgrado playing “Visions of Massacre”, “No Answer” and “Dead Generation” live at The Acheron in Brooklyn, New York City on November 23, 2012. http://www.facebook.com/Belgradopunk
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Shekhovtsov suggests that there are two types of radical right-wing music that are cultural reflections of the two different political strategies that fascism was forced to adopt in the ‘hostile’ conditions of the post-war period. While White Noise music is explicitly designed to inspire racially or politically motivated violence and is seen as part and parcel of the revolutionary ultra-nationalist subculture, he suggests that ‘metapolitical fascism’ has its own cultural reflection in the domain of sound, namely, apoliteic music. This is a type of music whose ideological message contains obvious or veiled references to the core elements of fascism but is simultaneously detached from any practical attempts to realize these elements through political activity. Apoliteic music neither promotes outright violence nor is publicly related to the activities of radical right-wing political organizations or parties. Nor can it be seen as a means of direct recruitment to any political tendency. Shekhovtsov’s article focuses on this type of music, and the thesis is tested by examining bands and artists that work in such musical genres as Neo-Folk and Martial Industrial, whose roots lie in cultural revolutionary and national folk traditions.
Published as: Anton Shekhovtsov, ‘Apoliteic music: Neo-Folk, Martial Industrial and “metapolitical fascism”’, Patterns of Prejudice, Volume 43, Issue 5 (December 2009), pp. 431-457.
Let the RABM (Red & Anarchist Black Metal) scene grow!
Track List:
1) Timebomb – Dig Your Own Grave
2) Iskra – Prisoners Of Conscience
3) Radioskugga – Revolution
4) Filii Nigrantium Infernalium – Calypso
5) Мракобесие – Конармейский Марш
6) Neverchrist – Antinazi Black Metal
7) The Dead Musician – Black Metal Terror
8) Jarost Marksa – Empires Shall Fall
9) Panopticon – Flag Burner, Torch Bearer
10) Sorgsvart – Vikingtid Og Anarki
11) Dödsängel – Wolven Hatred
12) Dernier Martyr – 937 km
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R.A.B.M
First of all. let’s be clear. If you don’t like politics in black metal go to the fucking nsbm/nazi/white supremacists scum and bitch at them. Because while you bitch about left wings bands, many of you are tolerant with the intolerance of nsbm. Metal is about freedom, any metal. nsbm is about oppression. As long there are scum using this music to call for the oppression of others, there will be always those who fight back. So don’t be ungrateful and don’t come and bitch to those who are fighting for your FREEDOM and against racism, sexism, homophobia, etc,…
This group is for all kinds of black metal associated with radical leftist (anarchist, libertarian socialist, eco-anarchist, Anarcho-Communists, libertarian-communists, green anarchist, etc.) ideas.
Other kinds of political metal (death, thrash,…) will be showed/supported too. The force lies in the union not divisions. And those artists who aren’t political but take stand in opposition against racists, nazis, fascists and other herd mentallity will be supported too.
*RABM is not a black metal subgenre. It’s a movement that is standing up against the mentally herd of right wings ideologies and NSBM that is not a subgenre either but a far right wing bullshit racist/nazi retard movement.
Why ignorant and stupid, darky-hipsters lately choose use the Nazi aesthetic? is just part of they cult for the Neo-nazi band Death In June (the last trend they discover) or a well planificated Neo-nazi conspiracy?
You decide my dear friend, but the case is they are out there, and they stupidity is growing and taking space in our scene.
A true example is the brand call TRILL LYFE, the images speak by themselves.
